Egyptian Antiquities
Mummies, sarcophagi, papyri, divine and royal sculpture, jewellery and daily objects across some three millennia.
FRA9 · GREAT MUSEUMS
01 · THE PALACE
01Philip Augustus built a fortress beside the Seine at the end of the 12th century. Its medieval foundations remain visible beneath the Sully wing.
02Francis I transformed the fortress into a Renaissance palace. Later rulers expanded its courts, galleries and ceremonial rooms; after Louis XIV moved the court to Versailles, the Louvre increasingly housed academies, artists and the royal collection.
03The museum opened to the public in 1793. Royal collections, archaeology, purchases and gifts expanded its reach. I. M. Pei’s glass Pyramid opened in 1989, creating a modern entrance at the heart of the historic palace.
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02 · COLLECTIONS
Mummies, sarcophagi, papyri, divine and royal sculpture, jewellery and daily objects across some three millennia.
The first cities, palaces and writing traditions of Mesopotamia, Iran and the Levant, including Hammurabi’s law stele and Assyrian reliefs.
Marble sculpture, vases, bronzes and mosaics from the ancient Mediterranean; home to the Venus de Milo and Winged Victory.
Ceramics, metalwork, glass, carpets, manuscripts and calligraphy from Spain to India, spanning the 7th to 19th centuries.
European painting from the 13th to 19th centuries: Leonardo, Veronese, Caravaggio, Rembrandt, Rubens, David, Ingres and Delacroix.
French and European sculpture from the Middle Ages to the 19th century, including Michelangelo’s Slaves, Canova’s Psyche and the Marly court.
Crown jewels, royal furniture, tapestries, ivories, enamels and porcelain, with the Galerie d’Apollon and Napoleon III apartments.
Drawings, pastels, prints and manuscripts reveal artists thinking on paper; light-sensitive works rotate.
A new department spanning the 3rd to 20th centuries from the Levant to the Caucasus and Slavic world; dedicated galleries are planned for 2028.

LEONARDO DA VINCI · 1503–1519
The sitter is generally identified as Lisa Gherardini, wife of Florentine merchant Francesco del Giocondo. Leonardo kept the painting with him and refined it over many years.
Its fame is not just the smile. Leonardo’s sfumato dissolves hard contours; the eyes and mouth never settle into one expression. The imagined landscape connects an intimate face to deep geological time.
Painted in oil on a poplar panel, it is smaller than many expect. It hangs in the Salle des États inside a climate-controlled protective case. Look at the triangular structure of face and hands, the translucent veil and the uneven horizons behind her.
03 · MASTERPIECES

A Renaissance icon in which portrait and landscape merge, while gaze and smile never quite become fixed.

Nike lands on the prow of a ship as wind presses drapery against her body; the Daru staircase completes the drama.

A marble Aphrodite found on Melos, compelling for the calm turn of the torso and the movement of drapery as much as for her missing arms.
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The king faces the sun and justice god Shamash above hundreds of cuneiform provisions on society, trade, family and punishment.

A monumental granite guardian combining lion and king; names of later pharaohs show how the object was repeatedly claimed across centuries.
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A real maritime disaster becomes a vast political painting, its bodies rising from despair towards a distant hope.

The July Revolution between allegory and street reality: Liberty is both classical goddess and woman of Paris.

A monumental image of power that shows less what happened than how the Empire wanted history to remember it.
A circular marble composition that seems to defeat weight; walk around it to see the embrace unfold.

More than a hundred figures turn a biblical miracle into a Venetian feast on a canvas nearly ten metres wide.
04 · QUIET ROUTE
Monumental French garden sculpture under glass roofs.
Velvet, gilding and chandeliers reveal the splendour of the Second Empire.
Crown jewels, hardstone vessels and a ceiling that foreshadowed Versailles.
Rembrandt, Vermeer, Rubens and Van Dyck in calmer rooms.
The fortress moat and foundations beneath the Sully wing.
05 · VISIT PLAN
Winged Victory → Mona Lisa and Wedding at Cana → Galerie d’Apollon → Venus de Milo.
Great Sphinx → medieval foundations → Venus → Victory → Italian painting → French large-format painting → Cour Marly.
Ancient worlds and Islamic Art in the morning; painting, sculpture and decorative arts after a proper break.